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موسيقي كلاسيك |
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Classical Music |
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Ajang,Aref,Adib,Asadollah,AghaBashi
(Ebrahim,Eisa),Akbar
flute,Amir
Jahed,Agha
Razi,Alizadeh,Azad,
Aminollah,
Azarmina
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![Ajang [Ebrahim]](../images/Ajang.GIF) |
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Ajang [Ebrahim]
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He lived in epoch Ghajar.
His Nickname was Ebrahim Violoni. He was
graduated in Music from Darolfonoun. He played
on Violin
and also learned the Radif of Persian Classical Music
from his teacher
Agha Hussein Gholi
Farahani. His
thought Music to his students the European method, on the basis of notes
and books, at all time. number of his students are:
Reza
Mahjoubi, Shahbaz Barmaki. |
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![Aref Ghazvini [Abolghasem] (1296-1312/11/2 sh) (1880-1933 m)](../images/Aref.GIF) |
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Aref Ghazvini
[Abolghasem] (1880-1933)
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He was born in
Ghazvin. His father was Hadi Vakil. Aref was the Musician, singer, poet, and
also Composer and known
Radif of Persian Classical Music. His teachers were Sadegh Kharazi,
Mirza Hassan Vaez. Trough the contemporary Music's time he is the first
Composers who had pioneered Iranian Rhythmic style so called "Tasnif" which
number 29'th Tasnifs that performed by
Darvish Khan
in Teflis. At all time his works also performed by
Ghamar Molouk
Vaziri
and
Morteza Ney Davoud.
The central themes of Tasnif and Aref works are social subject and politics.
Aref was reckoned as liberated and had special treatment towards his society; He
kept his distance from Ali Naghi Vaziri and Darvish Khan; he wrote a letter to
Ali Naghi Vaziri and censored him in his saying. Faramarz Payvar and Arshad
Tahmasbi have made Aref's compilation in several books including Aref's
autobiography, in the recent years. More over Aref's songs were recorded in CDs
and Cassettes witch are available now. From the primary recording of Aref's
works exists witch are performed by some artists as follow: Tar: Zari and
Vocal: Arshak Khan |
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Adib Khansari (1901-1982)
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He
was born in Khansar. His nickname was Adib but his given name was Esmaeil. He
was start music from childhood. He interested to sing the classical Iranian
poems. in a very good way and his first music teacher was Andalib Golpaygani in
Khansar. When he was 18'th he moved to Isfahan. The famous place of gathering
the Musicians in 1920. To be recognized with instructors kike deceased Seyed
Rahim (for two years), Mirza Hussein Saatsaz (for two years) and Habib Shater
Hadji. In1921 he was being the student of
Nayeb Asadollah
(The Ney Player). He had also the journey to Bakhtiari province to have some
searching in the style of "Lori Music in Iran". In 1924 he had came to Tehran
for the presence of the deceased
Hussein Taher Zadeh,
and also the deceased
Hussein Esmaeil Zadeh.
During his staying in Tehran he had close friendship with Morteza Mahjoubi (The
Piano player) and beside the Setar playing he had got recognize to play Piano
(Iranian Style) from Morteza Mahjoubi. After foundation of Tehran Radio station
(1940), he was invited to be the top artists in this organization. There are so
much recorded programs that remain from those years. The Community of "Barbad"
established by close co-operation of Adib Khansari and Esmaeil Mehrtash, as a
place for Theatre and Music. His Disc: AX682, AX683, AX708, AX702, AX710,
GF28, GF29, GF49, GF50 |
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![Asadollah Nayeb [Asadollah Esfahani] (?-1330 sh) (?-1950 m)](../images/Nayeb_Asadollah.GIF) |
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Asadollah
Nayeb [Asadollah
Esfahani] (?-1950)
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He
played on Ney at the age of Ghajar. He is the one who revived the style of
playing Radif of Persian Classical Music on Ney with its special methods. His
co-operation with different Music groups are remarkable in history of Iran's
Music; The Music group of "Etezadieh" and other groups like
Agha Hussein
Gholi Farahani (Tar player), Sorourol Molk, and Suleiman Esfahani. His
followers were Abdolkhalegh Esfahani, Hussein Esfahani, Mehdi Navaei, and Hussein Neyzan. |
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Agha
Bashi [Ebrahim]
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He was
the Singer and also Ney player. His teachers were Seyed Abdorrahim, Nayeb
Asadollah, Ali Khan Dehaki, and
Eisa
Aghabashi.
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Agh
Bashi [Eisa]
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He
was the Singer and also Tunbak player. He was born in
epoch of Ghajar. His teacher was Ebrahim
Aghabashi.
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Akbar
Flute
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His
Father was Abdollah Khan (Tar Navaz), and his brother was
Hussein Hang
Afarin. Akbar
studied music in Darolfonoun. In 19 he went to London for Disc recording. He
was playing on Flute with accompanying
Hussein
Taher Zadeh (The
Singer) and
Darvish Khan.
. His Discs numbers: GC.7-12079, 2-012000, 2-012010,2 012018,
GC.7-12080, GC.7-12079, GC.7-10276, GC.7-12083, GC.7-12081, GC.7-12088. [Code:
(GC.7) from 12080 -12 094].
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![Amir Jahed [Mohammad Ali] (1275-1356 sh) (1895-1977 m)](../images/Amir_Jahed.GIF) |
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Amir
Jahed [Mohammad Ali] (1895-1977)
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He
was the Compositor
and Poet. He learned Music in Shams school and Darolfonoun. At the age of 12
he was being the director of school Music. He established "Philharmonic Iranian National Music Club" with
his friends. He entered to Parliament in 1920. The fares calendar published by
him. Some sound tracks available in Cassette and CDs witch where performed by
Arsalan Dargahi
(Tar) and
Ghamar Molouk
Vaziri (Singer).
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Agha
Razi
[Simin]
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![Alizadeh [Hussein Mohammad] (1330- sh) (1951- m)](../images/Alizadeh.GIF) |
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Alizadeh [Hussein Mohammad] (1951)
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Hussein
Alizadeh was born in Tehran, Iran, in 1951. After graduating from the Music
Conservatory, he entered the School of Music of the University of Tehran in
1975 where he received his bachelor's degree in composition and performance.
During the same period, he studied with various masters of Traditional Persian
Music such as
Houshang
Zarif,
Ali Akbar
Shahnazi,
Nour Ali
Borumand,
Mahmoud
Karimi,
Abdollah
Davami,
Yousef
Foroutan, and
Saied
Hormozi. From these
masters he learned the Radif of Persian classical music. Upon completion of his
studies, he was awards a position with the National Orchestra. He became the
conductor and soloist of the Iranian National Orchestra of Radio and
Television of Iran and began a solo career through which he has performed in
both Iran and abroad. He established the Aref Ensemble and worked with the
Sheyda Ensemble, both dedicated to the promotion and advancement of Persian
classical music. Alizadeh's first professional experience in Europe was his
participation in the orchestra of the famous Bejart Ballet Company in
performance of Gulistan [Golestan], a ballet by Maurice Bejart. In the early
1980's, he further expanded his formal education by studying composition and
musicology at the University of Berlin.
Alizadeh
has performed extensively throughout the United States, Europe, and Asia and
has appeared on many radio and television programs, including Radio France, RIAS in Berlin, WDR in Cologne, the BBC, KCRW in Los Angeles, and KPFA
in Berkeley. Some of Alizadeh's most noted compositions are, The Nava
Improvisations (1976), Riders of the Plains of Hope (1977), Hesar (1977),
Revolt (1983) for harp, string orchestra, and percussion, Ney Nava (1983),
Dream (1986) for harp and flute, Torkaman [Turkmen] (1986), Raz-O-Niaz (1986),
and Song of Compassion (1991).
He
has performed many Concerts and also tape records as Duet with accompanying of
Arshad
Tahmasbi.
In recent last 2 decades, he is reckoned as the outstanding artist in
contemporary Persian Music history. He has taught in the
Tehran University and the Tehran Music Conservatory. There are several books
for Tar and Setar witch presents the last methods of Tar playing and
methodology of Radif of Persian Classical Music on the basis of interpretation
of Mirza Abdollah.
1.
Iranian Avant-garde Music (Iranian Music & Iranian National Music)
2.
Avant-garde Solo Music (Iranian Music & Iranian Native Music)
3.
Tuition
Music
4.
Music for Film
I. Orchestral
Music & Nation Instrument: Nava Ensemble, Savaran Dashte Omid, Hesar,
Norouz, Ney Nava, Azerbaijan
Songs, Shour Angiz, Raz-O-Niaz, Sobhgahi, Avaye Mehr, Osyan, Nava Concert,
Raze No.
II.
Mahour Solo, Hejran, Turkmen (Torkaman), Hamnavaei.
III.40
Peaces for Tar & Setar (4 Book), Setar
Teaching Methodology (with Cassette), Elementary Radif for TAR &
(with Cassette), Radif Mirza Abdollah (with Cassette by Tar
& Setar).
IV.
Delshodegan (lovers),
Gabbeh, Dokhtarane Khorshid (sunny girl), Az Asar (From Eons Ago), Eshghe
Taher (The Chaste Love), Iran Saraye Man Ast (Iran Is My Home), Abr-O-Aftab
(Cloud And Sun), Zamani Baraye Masti Asbha (A Time For Drunkenness Of Horses).
www.hosseinalizadeh.com
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![Azad [Davoud]](../images/D.Azad.GIF) |
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Azad
[Davoud]
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Aminollah
Hussein (1903)
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He was Composer and also played Tar. He learned the essential of Music from
his mother and till the revolution of October he was graduated from
Petrograd Conservatory. Then he moved to Germany to study Medicine in
University but he was interested in Music study so much and was graduated in
Conservatory of Germany and also in his travel to Paris, he entered to Paris
Conservatory and graduated as the first Iranian student from that
Conservatory . He composed some works by the name of Iranian Rhapsody,
Hurmosque, and some pieces for folk Dance for Piano. In 1947, the London
Symphonic by the name of "Kharabehaye Takhte Jamshid" (The ruined
PersePolis) witch Conducted by Bazell Cameron. And also the other works of
Hussein as poem symphonic was performed in Paris, by the name of "Robaeiat
Hakim Omar Khayam", in 1951. And other works: Cherkskiy Dance, Iranian Miniature
Ballet, Zarmeh Songs, Gol & Bolbol, Sareban [Saraband], Scherzo and
Piano Concerto and... . |
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Azarmina [Pejman] (1973)
He was born in Tehran, and is a Santurist
(Santour Player) and composer. He started music with Master
Faramarz Payvar at age 11 and graduated from his school in 1994. His
other music teachers were Master
Hossein Dehlavi and
Ahmad Pejman. Azarmina has performed extensively in Iran; has published
albums and scores of "Old Persian Dances" (Renghaye Haft Dastgah) and "Shabdiz";
and collaborated in the production of Love Dynasty, a CD package for Persian
music appreciation. He has taught Santur since 1995 and now lives in London,
England, promoting his music in an international level. |
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