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Sama Hozour, Sheyda, Shahnazi, Shajarian, Shenasa, Shahnaz, Sharif, Shafiean, Shahrdar, Salehi, Saba, Samaei, Salar Moazez, Safvat, Solhi, Santour Khan, Sepanlo, Sepanta, Sanjari, Shaari, Saeidi, Saket

Sama Hozour [Habib] (1852-1917 Tehran)

His father was Gholam Hussein [Agha Jan Santouri] and his mother was Kokab. His father played Santour. His teachers were his father and Mohammad Sadegh Khan Sorourol Molk. His students were Habib Samaei, and his sister Zivar Soltan, Mohammad Taghi Nasghchi Bashi, Haji Khan Einodoleh and Agha Jan Dovom. He recorded two Disc with Sorourol Molk.

Sheyda [Ali Akbar] (1843-1906 Taleghan )

He was Poet and composed song and playing Setar. Sheyda was one of the best compositor for song. Sheyda Composed many song for Iranian Classical Music. Many singer and Composers recorded his songs.

Shahnazi [Ali Akbar] (1897-1984 Tehran)

He was Tar and Setar player. His father was Agha Hussein Gholi Farahani and his grand father was Agha Ali Akbar Farahani. He constitution First Tar Conservatoire in Iran. He recorded one Gramophone Disc at 14’Th years with his father. His teacher was his father (Agha Hussein Gholi Farahani). His students were Baserodoleh, A.M.Irani Mojarad, Nasrollah Zarin Panjeh, Mohammad Reza Lotfi, Daryoush Talaei, Hussein Alizadeh and… He recorded his father’s Radif with Tar and however, recorded himself Radif. His Method is one of the Best and Technical Method for Tar playing. He recorded many cassette and Gramophone Disc.

Shajarian [Mohammad Reza] (1940)

He was born in Mashad in Khorasan County. He is Singer and known Iranian Music Radif. He is perhaps Iran1s most diverse and prolific singer of all time and has a huge repertory of recorded works. In 1999, UNESCO in France presented him with the prestigious Picasso Award; one of Europe1s highest honors, and in 2000, the Ministry of Culture in Iran declared him the best classical vocalist since the Revolution. In the music of Iran, traditional singing is one of the most difficult arts to master. Shajarian is widely considered the embodiment of the perfect singer and a major source of inspiration to other musicians. He studied singing at the early age of five under the supervision of his father, and at the age of twelve, he began studying the traditional classical repertoire known as the Radif. He studied with the great masters Esmaeil Mehrtash and Ahmad Ebadi, and learned the vocal styles of singers from previous generations, including Reza Gholi Mirza Zelli, Ghamar Molouk Vaziri, Eghbal Azar (Eghbal Sultan Azar), and Tadj Esfahani. He started playing the Santour under the instruction of Jalal Akhbari in order to better understand and perform the traditional repertoire, and in 1960, he became the pupil of Faramarz Payvar. He deployed inspired by the late master vocalist Gholam Hussein Banan. He studied under the guidance of master Abdollah Davami, from whom he learned the most ancient (songs). Abdollah Davami also passed on to Shajarian his own interpretation of the Radif. Shajarian started his singing career in 1959 at Radio Khorasan, rising to prominence in the 1960s with his distinct style of singing, at once technically flawless, powerful, and intensely emotional. Since then, he has had an illustrious career that includes teaching at Tehran University's Department of Fine Arts (among other places), working at National Radio and Television, researching Iranian music, and making numerous important recordings. He was recorded many songs with Mohammad Reza Lotfi, Parviz Meshkatian, Faramarz Payvar, Hussein Alizadeh and … He was member of Masters of Iranian Music. www.shajarian.com  "Not Available"

Shahnaz [Jalil] (1921 Esfahan)

He is playing Tar however he is plays violin, Santour, and Tunbak. His teachers were his father [Shaban Khan, Santour Player], and his brother [Hussein, Tar Player] and Gholam Reza Sarang [Kamancheh Player]. Jalil and his father cooperated with Tadj Esfahani. He played in Masters of Iranian Music with Hussein Tehrani, Faramarz Payvar, Ali Asghar Bahari, Mohammad Esmaeili, Hassan Nahid, and Houshang Zarif. He is recording many cassettes. He went to Radio and recorded many songs. He played Tar in Golha Ensemble. 

Sharif [Farhang] (1933 Amol)

He is Tar Player. His teachers were Ali Akbar Shahnazi and Abdol Hussein Shahnazi but his Method is different with his teachers. He Played Tar in Radio in Golha Ensemble. He is recording many cassette and performances many Concert in Iran and Other Country.  

Shafiean [Reza] (1941 Tehran)

He is Santour Player. His teachers were Faramarz Payvar [6’th years], Nour Ali Broumand, Daryoush Safvat, Houshang Ostovar, Yousef Froutan, and Mohammad Irani Mojarad. He cooperated with Iranian Music Institute at 1353 (1974). He performance many Concert In Iran and other Country. 

Shahrdar [Habibollah] (1886-1969 Tehran)

He was Piano Player. He played Iranian Music by Piano. His father was Nasrollah Khan Sepah Salar (1264-1348/123/) (1886-1969). His teachers were Agha Bozorg [Army Music officer], Mirza Hussein Gholi Farahani, Hussein Esmaeil Zadeh, and Mohammad Sadegh Khan Sorourol Molk. He went to London with Darvish Khan for recorded Gramophone Disc. He recorded many Disc with Darvish Kahn, Zelli, Farah Angiz, Taher Zadeh and… His Discs:W029, GPX8, WXGPX6, GFX7, G.C.7-12250, G.C.7-19272.

Salehi [Habibollah]  (1916-1979 Shahroud )

He was Tar Player and Compositor. His teachers were Ali Akbar Shahnazi, Mousa Maroufi, Abol Hassan Saba. He studied Music in Tehran Music University. He played in Golha Ensemble, Meftah Ensemble, Samaei Ensemble, and Fakhredin Ensemble. He Composed many song [250 song]. Salehi published Shahnazi’s Radif. 

Saba [Abol Hassan] (1916-1979 Tehran)

He was one of Great Master of Iranian Classical Music in this Century. His father [Abol Ghasem Kamal Saltaneh] was Doctor and Artist [he was playing Setar]. He played often Iranian Music Instruments. However, he was poet and Compositor. His teachers were His father [Setar], Mirza Abdollah Farahani [Setar], Darvish Khan [Tar and Setar], Ali Akbar Shahi [Santour], Hadji Khan [Tunbak], Hussein Esmaeil Zadeh [Kamancheh], Akbar Khan [Flute], Hussein Hang Afarin [Violin]. He studied Iranian Music in Vaziri’s Music School. His students were Hassan Kasaei, Faramarz Payvar, Mehdi Khaledi, Habibollah Badiei, Daryoush Safvat, Mohammad Baharlou, Lotfollah Mofakham Payan, Hussein Tehrani, Homayoun Khoram, Taghi Tafazoli. He went to Rasht and constitutions Music School in Rasht. His method is the best method for Setar and Violin. He composed many song for Iranian Classical Music.     

Samaei [Habib] (1901-1946 Tehran)

His father was Sama Hozour. He played Santour. However he played Tunbak with his father. His students were Nour Ali Broumand, Ghobad Zafar, Mehdi Nazemi, Morteza Abdol Rasouli. Habib recorded many Gramophone Disc.

Salar Moazez (1861-1935 Tehran)

He was constitution Army Music in Iran and teaches Solfege. He played Piano and Woodwinds and Brass Instruments in Darolfonoun Music School. He had many students. He translated many book; Army Music Instrument logy, Harmony, Instrument logy. He published Mahour Mode [Dastgah] in Leipzig. He composed and Arranged many song and recorded American School Songs. Colombia Disc No: 15051 

Safvat [Daryoush] (1928 Tehran)

He is playing Setar and Santour, however he is Iranian Classical Music's Master. His father was Ali Asghar Safvat that he was playing Setar. He studied Music from Abol Hassan Saba [1326~1336 (1947~1957)], Mohammad Irani Mojarad [1344~1348 (1956~1960)]. His Best students are: Hussein Alizadeh, Daryoush Talaei, Parviz Meshkatian, Madjid Kiani, Reza Shafiean, and …. He was boss of Tehran Music University. He recorded cassette with Mahmoud Karimi [singer], and Setar and Santour. He is publishing many books.    

He was lived at Ghajar Century. He played Tar and Setar. However, he was Doctor. Solhi knew Iranian Classical Music [Radif]. His teachers were Mirza Abdollah Farahani, Mohammad Sadegh Khan Sorourol Molk, Aasdollah Khazan Maleki, [singer]. His students were Mohammad Irani Mojarad, Mokhber Saltaneh Hedayat, Forsat Doleh Shirazi, and Khazan Maleki. He had Radif.    

He was life at Ghajar Century. He aged Santour player in Iranian Music. He was King [Mohammad Shah Ghajar] player when king was sick he played Santour. He recorded three Disc: GC.19372, GC.19380, GC.19382.

Sepanlo [Soleyman]

He was life at Ghajar and Pahlavi Century. He was playing Tar and Violin. He was learned Music in Vaziri Music School. He was constitution Iranian Music Institute with Rouhollah Khaleghi and …at 1324 (1945).

Sepanta [Sasan] Tehran

He is Acoustic specialist. His father was Abdol Hussein Sepanta [He was first Cinema Director in Iran]. His teachers were Abol Hassan Saba, Rouhollah Khaleghi, Ali Naghi Vaziri, Mahmoud Tadjbakhsh. He was cooperated with Music Magazine at 1336 (1957). He is publish many book for Iranian Music, Acoustic, Music History, Instrument logy, and. He has many Gramophone Disc and book from Iranian age old Music.    

Shenasa [Masoud]

Sanjari [Heshmat] (1917)

Shaari [Masoud] (1961 Tehran)

He learned Santour here Manijeh Ali pour. He continues Music and leanings Setar here Daryoush Talaei and Tar here Mohammad Reza Lotfi. He went to Hussein Alizadeh and was continues his Music, and studied another Method for Setar. He loved Saeid Hormozi and Froutan. Masoud learned their Method here Hussein Alizadeh. Masoud Recorded some Cassette. He recorded Saba’s Peaces for Setar in One Cassette “Karvan-e-Saba” (Saba’s Caravan). However, he recorded “Shabahang” and “Entezar” (Wait) with Indian “Tabla” player. Now He is Radif and Setar Teacher in "Azad" Music University. He performance many Concert in Iran and other Country. He is member of “Kamkars” group. www.massoudshaari.com   "Available"

Saeidi [Malihe]

Saket [Keyvan]

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